Monday, July 27, 2009

Miniata Groupers, Chinese Wetmarket, Singapore

This watercolor painting is called Miniata Groupers and is from the Singapore series. Click to enlarge.



It is based on this photograph that I took on my trip to Singapore in 1996 at the Chinese Wet Market. This was a tank of live miniata groupers.


The painting was an exercise in watercolor washes and gradients and was tons of fun. I drew the tank and fish and then painted the water and the painting sat for a long time before I got up the nerve to paint the fish. But once I got started, I was okay and couldn't stop.

Friday, June 5, 2009

Casualty of war, 2009

Please click to enlarge

Here is a new piece of art that I just finished this morning. I had an inspiration a few days ago and have worked on this solidly since then since I feel that stopping our operations in Iraq is way more important than sharing my trip to Singapore. The reason is that we are losing lives of our brave American men and women, plus Iraqis are also being killed. We need to get our asses out of there as soon as possible to end the dying. In the famous words of Edwin Starr "War, What is it good for? Absolutely nothin!"

Cattle statues, Sri Mariamman Temple, Singapore, 2009


This is a watercolor painting that I just completed this morning. Chiaroscuro in style, it is of the two cattle statues that detail the cornerstone of the Sri Mariamman Hindu Temple at the corner of South Bridge and Pagoda Streets in Singapore. I took a picture of the Temple when I was there in 1997 on business, and decided that the cattle would make for a great watercolor painting. So, I searched the web and found the photo below in a flickr album.



One never sees architectural details like this in the United States! I am blessed that I had the opportunity to travel to Singapore and see this and thus make this painting. I will continue to make paintings from my travel to Singapore.

Chinese wet market, Singapore, 2009


Here is a new work that I just completed yesterday! It is called Chinese Wet Market, Singapore. I used a photo that I took from my visit to Singapore in 1997 as a model for the work (below).



Unfortunately the colors are washed out in the photo of the painting and are brighter in the original work.

This is my first major work since my brain surgery almost 10 years ago and it was really a trial. The medium is both watercolor and India ink and if you click to enlarge, you will see that I give a nod to my past pointillism days. The painting is 16 x 12 inches.

Hooray for me, now I am a painting fool again! I am excited an happy with many works going!

Koi in Holland Market, Singapore, 98/09


Here is yet another work that I completed yesterday. If you click to enlarge it, you will see that it took eleven years to finish this work. Much transpired in those years!!! Below it is the photo that it is based upon. We also use a version of the photo for printing our bank checks.

Unfortunately, the camera was not kind to this watercolor painting. The background is a lovely light blue and the fish a delicate yellow. Perhaps you can see that I finally figured out how to use my new brushes in the fin work on the 3 fish left upper center of the painting and the red and white one towards the bottom.

I feel that this work is graphically strong and very pretty even though there are some mistakes in it.

This painting is now owned by Francesco & Damien who reside in Madrid, Spain. It was gifted to them for their wedding day.

Great blue heron, 1996

Now we skip twelve years ahead to when we moved from upstate New York to Connecticut. I had by that time acquired water colors and a taste for Hiroshige whose wood block prints I had first seen in the Everson Museum of Art in Syracuse, NY.

We bought his book Hiroshige Birds and Flowers and I was very inspired by its 91 color plates. I decided to try and copy them into water color paintings which turned out to be much easier to decide than to do.

This first painting is of a Great Blue Heron fishing. Though Hiroshige never did this painting himself, it is in his style. I did three washes, one at the top for the sky, one at the bottom for the mud and one for the water line. Then I painted the bird and the cattails. I added some small fish for interest and because I am a fish fanatic. I was quite tempted to go at this painting with my India ink and draw all over it as I did with the little fish, but I resisted. Do you think I was correct in this decision and the painting is finished? Click to enlarge.

I’m not quite satisfied with it, but you know, the artist never is satisfied with their work. I think the composition is weak, it looks all pushed over to the right and will never frame well because of that. The heron is floating in the air and not grounded to anything. I could have done better painting his feet. I like how I painted the cattail heads and the washes and the bird’s neck. I would love to hear your comments on this painting.

Cock, 1993

Cock as in Hiroshige's Cock, Umbrella, and Morning Glories on plate 20 of the book "Hiroshige Birds and Flowers". I scanned the image, but the picture was too long for my scanner (click to enlarge):


I felt very inspired and wanted to see if I could render this via water colors. I of course simplified it considerably into just a wash and the cock and here is the result:



It is the only Hiroshige bird that I feel I did a good job with at all. It still needs to be framed and matted and would probably benefit from some tight matting at the sides to make it look narrower and taller. I particularly like the black tail feathers and the feet. Your comments are welcome.

This piece is now owned by Cristiano, who was born in the year of the Cock.